« A music perfectly controlled, but alive, full of twists and interactions, which keeps you out of breath till the end. » - Album « Revelation » Jazz Magazine
« Simply excellent! EXCELLENT…! » - Awarded « Indispensable » Paris Move, Blues Magazine
« A trio in plain sight, an inventive drummer playing the melodies... What more could you ask? Jazz is in good hands. »
« Thomas Delor’s main influences color this album which one listens to in a state of bliss, carried away by the connivance between three musicians who demonstrate the true meaning of the art of conversation. »
« These three are united for the best, let it be said…» - Album « Awarded » Citizen Jazz
« A (great) surprise. (...) A way of writing playful and serious at the same time that irresistibly catches the ear. » - Jazz News
« An interactive trio with subtle tunes and interplay, a very nuanced music, and a drummer as well rhythmist as colorist, expressive without being talkative. All that makes it be a very successful first album... » - Drummer Magazine
« Unmissable work. » - The Jazzophone
« An elegant real gem! A sound that sings and charms. »
« From hands to feet, the hands with brushes, mallets, naked. Full of sounds, as much drums as percussion. It sings! For real, he makes songs of skins and metal. » - Jazz Action
« A trio art that is worth a bomb. We enjoy ! » - La Gazette Bleue
« An outstanding drummer/percussionist. (...) A real success that must not be missed. » - Dragon Jazz
« An absolute success. Splendid The Swaggerer. » - Latin of Jazz
« Three musicians playing so confidentially as if they need to keep connection, it’s a sign. Great coherence, profound listening. »
« Thomas Delor has built around him an endearing trio, self-taught drummer he proposes his very own style and allows himself things that academicism would restrain. » - Jazz Rhône-Alpes
« Thomas Delor, estimated for his great musicality, became a reference of jazz world. » - Nice-Matin
« Thomas Delor lives his drumming intensely, he plays with the feet and sticks, logical, but also with the elbow, the hands, sometimes even lengthening on his drums as to communicate a little more with the skins, the cymbals. (...) The complicity between the three musicians is significant, we hear them listen to each other. A great new moment. » - Nouvelle Vague
« What makes the singular language of the drummer Thomas Delor so attractive is the mischievous flexibility of his music, a very original art of the composition that never sacrifices the melody to rhythmic subtlety. » - Jazz à Vienne Blog
